Audio’s On The Rise series proved why it has become such an important platform for emerging Scottish talent, with four bands each bringing something unique to the stage. From energetic punk to grunge-inspired rock, the evening never stood still.
Opening the night, High Voltage wasted no time making an impression. A surprisingly delicate piano introduction quickly exploded into a wall of punk-infused rock, creating an immediate contrast that defined much of their set. The balance between melodic vocals and heavy guitar work gave each chorus extra impact, while confident on-stage banter kept the crowd engaged throughout. Swapping the piano for a second guitar later in the set added even more weight to their sound, and the audience happily responded with enthusiastic participation, showing the band’s ability to connect with the room.
Next up, Late Monday embraced nostalgia from the very beginning, opening with a Green Day cover before delivering a set packed with high-energy rock interpretations of familiar songs. From the humorous Phineas and Ferb intro to an unexpectedly brilliant rock version of Cake By The Ocean, the band managed to transform well-known tracks into something that felt entirely their own. Behind the fun was a technically impressive performance, with tight drumming, an energetic frontperson and a rhythm section capable of recreating iconic songs with ease. Their closing original, One Way, fit seamlessly alongside the covers, carrying the same emo-rock influence while proving they have original material to match their performance ability.
First Amendment shifted the atmosphere once again with a set built around dynamic songwriting and confident musicianship. Opening with an energetic, groove-driven rock track, the band quickly established their identity through soaring twin lead guitars, powerful rhythms and a commanding vocal performance. Melodic instrumentals sat comfortably alongside heavier riffs, while funky sections and creative drumming kept each song feeling fresh. Their originals showcased strong songwriting, often beginning with memorable guitar leads before building into catchy choruses without losing momentum. Every track carried the feel of a potential crowd favourite, with the band’s chemistry and stage presence noticeably lifting the energy in the room. If anything, some of their songs felt too short, leaving the audience wanting just a little more before they moved on to the next.
Closing the night, Tin Stars demonstrated exactly why they were headlining. Funk-driven basslines and shimmering guitar riffs opened the set before flowing effortlessly into melodic vocals and impressive instrumental passages. Their blend of indie rock, grunge and funk gave every song its own identity, with heavier Nirvana-inspired moments balanced by groove-led tracks. The band’s musicianship was consistently on display, particularly through standout drumming and expressive lead guitar work. Finishing with covers of MGMT and Nirvana brought the evening full circle, ending the gig on a high and reminding everyone that Glasgow’s next generation of bands continues to be in very safe hands.