Despite the ground of the Wah Wah Hut still shaking from Close Control’s Friday night pandemonium, King Tuts opened once again for night three of Summer Nights. A festival that gives grassroots bands that opportunity to grow, welcomed in Paperhouse, a band that is no stranger to the iconic music venue. The group are supported by three eclectic bands, all with their own sound to exhibit to a busy Saturday night Tuts.
EVYN
Solo artist Evyn debuted the night with his multi-talented backing band and delivered a high intensity performance. Evyn emits a delicate Alt Rock / Folk sound with booming lead vocals and tightly melodic guitar work. It was his second King Tuts trip and the band looked right at home under the fluorescent lights. The rhythmically tight and simply effective drums paved the way for Evyn’s charismatic frontman style to guide the audience through his work, with some funky basslines as the cherry on top. A satisfying ‘I Am The Resurrection’ reference mid-tuning couldn’t help being noticed and pleased lots of the crowd, and the opening band of the night showed professional poise. They were an ideal appetiser to a night full of music. Evyn and his talented backing band look to spend some time in the studio to work on new material, so keep your ear to the ground.
ROGER BACON
Charismatic band Roger Bacon took to the stage next to show their support for Paperhouse. Grungey vocals, long hairstyles, and with some top swagger, Roger Bacon owned the stage and instantly caught the attention of the busy Tuts crowd. A rock driven, hard-hitting backbeat was consistently supplied by their solid drummer. Bass and both vocal electric guitars came together in an intense, uncomprimising mix to supply an Alice in Chains-esque sound that resonated for their entire 30-minute set. The band showcased their latest EP ‘Out The Frying Pan’, which includes ‘Shank’, my personal favourite of the night. The band brought high-intensity and shifted the night into another gear. For fans of a gritty, head-thumping, hard hitting rock style, you must sink your teeth into some Roger Bacon.
HAZY SUNDAYS
The final support band that kept us ticking along till Paperhouse was Hazy Sundays, who brought an impressively vocal crowd to Tuts to back them up. Hazy Sundays brought an electrifying and catchy 90s indie rock sound to Tuts that was reminiscent of the Happy Mondays. The multi-talented frontman supplied both punchy indie vocals but also stand-out guitar rhythms that the rest of the section played off of with style. Some tight, indie drums served as the band’s backbone and paved the way for the band to progress through to a fluorescent and catchy indie chorus. The stage presence was engaging, and the Sunday’s fed off of the sparks that flew from the audience to each catchy song. Each song had a well polished sound, and the Bassist supplied complimentary backing vocals. An ideal finishing touch from the lead support. Hazy Sundays’ debut album ‘Chaos in Harmony’ is out now and a must listen for indie rock fanatics.
PAPERHOUSE
More and more of the music-loving public shuffled into the now sticky Tuts floors for the final act. Paperhouse were given 45 minutes as the glistening headline to wow a music-hungry, well indulged Tuts crowd. Paperhouse last played Tuts in January of this year and were clearly ready to take the venue head on once again. Paperhouse have had two intriguing singles released between the span of April 2023 and May 2025. Loud screeching leads, head-bopping rhythm sections, and commanding lead vocals are the essence of the multi-talented band. Tonight they were to indulge the Tuts crowd with a preview of their latest release, ‘Lose Control’, which officially released on the 18th of July.
The stage was dark, anticipation was building, and a creepy atomic countdown introduced us into the opening track. Lights exploded into an array of colourful light, and Paperhouse flew into their opening track. Their lead, lick heavy and unapologetically loud guitar drove the band through each catchy tune. The opening high-intensity songs set the tone for Paperhouse’ whole set. Each song was characterised with an impressive lead guitar line and a big heavy unified band finish. The drums displayed an eclectic mix of inviting rhythms that complimented the guitar as well as staying syncopated with some fantastically funky basslines. Towards the latter end of the set, the talented group introduced their latest single ‘Lose Control’, which is a refreshing new release for the band and their developing sound. For lovers of Two Door Cinema Club and Bloc Party, Paperhouse are an essential listen.
King Tuts delivered again, and Summer Nights 2026 is shaping up to be a fantastic festival full of growing grassroot talent. It was a pleasure taking in each group and their dynamic styles. If you haven’t already, check out these exciting and fresh new bands emerging onto our scene. If you regretfully missed out on this action packed Saturday night, you can still catch Paperhouse in Nice ‘N’ Sleazy’s on the 19th September.